A rare framed portrait on paper, dated 1976 and currently on display. Reference S1047. Accompanied by authentication from Paris Africa Art and an attestation by Barbara Lindop.
In her assessment, Lindop connects this painting to Sekoto’s recurring portraits of African women, a theme he explored from the early 1960s. These works celebrated their subjects’ beauty and inherent strength, with later interpretations introducing brighter colours and variations in style.
Sekoto’s visit to Senegal in the mid-1960s had a lasting influence on his work. Travelling with fellow artist Wilson Tiberio, he observed local life and made numerous ballpoint sketches, which he later used for inspiration in Paris. His memories of Senegal became intertwined with those of his South African upbringing.
Lindop describes this portrait as more stylised and idealised, recalling the early 1960s rather than the freer interpretations that immediately followed his Senegal visit. Its restrained palette references the earlier “Blue Head” series, while a cream background is enlivened by distinct lines and highlights of warmer colour.
The reverse bears the notation ‘NO 14’, identified by Lindop as characteristic of Sekoto’s personal numbering system.
Provenance
Private collection, subsequently acquired by Paris Africa Art, then by The Gallery at Hayling in 2024.
